Mistaken identities are a common storyline—a pauper that is really a prince, a nerdy high school student that discovers she is a princess. Now scripts are following highly-trained secret agents suffering from a memory block. (Maybe even I’m one. I just can’t remember.)
Like Jason Bourne before him and Aaron Cross after him, Douglas Quaid (Colin Farrell) discovers he may be more than an assembly line worker. Disappointed after being passed over for a promotion, he visits a Total Rekall establishment where any memory a person wants can be chemically inserted into their mind. (You don’t have to actually visit an exotic location, be an outstanding athlete or have a mistress on the side to relish the fictional recollection.)
While strapped to a chair in preparation for the injection, Douglas gets a hint he may be living under an assumed name after armed guards storm the room. Provoked by their attack, he reacts with military training that leaves the space littered with dead bodies. Unsure of what happened, he rushes home to the loving arms of his wife (Kate Beckinsale). But her hug soon turns to a deathly chokehold. It seems their seven years of happily married bliss is also a figment of his imagination.
The grim and grimy landscape of this futuristic sci-fi adventure is populated with impoverished workers slaving to fulfill the needs of the wealthy few. Technology has advanced to the point where communication devices are built right into a person’s hand. (No more wondering where you left your phone.) However more intriguing than the film’s sets and art direction are the moral dilemmas characters face as they try to distinguish between the memory of reality and chemical delusions.
While this idea might evoke some interesting discussions, many parents may be more concerned about this film’s content. Some things have changed, but others remain the same, including a party of prostitutes that stroll the streets. (One of the girls gives new meaning to the term breast enhancement, exposing herself in a brief scene of full frontal nudity.) Explosions, beatings and weapons use make up much of the violence aimed at both synthetic soldiers and their human counterparts. And scatological slang terms (along with one strong sexual expletive and other profanities) fly as frequently as the bullets. As Douglas wrestles to recall his past, parents may also have to grapple with deciding if this amount of violence and course language is justifiable in this futuristic tale.