The Next Three Days
It’s not hard to understand why John Brennan (Russell Crowe) does what he does. But is it possible to justify?
His wife Lara (Elisabeth Banks) has been accused and convicted of murder. Three years into her sentence, their son Luke (Ty Simpkins) is beginning to forget what it is like to have a mom at home and John is tired of the prison guards and bars that stand between him and the woman he loves. Convinced she is innocent, he tries the legal recourse route using every penny he can scrape together from his teacher’s salary. But the couple’s hopes for a new trial are dashed when their appeal is thrown out.
Rather than continue to fight the system, John tracks down an ex-con (Liam Neeson) who has published a how-to book after escaping from prison seven times. Though John is warned about the risks of attempting a jailbreak, he forges ahead with a plan to spring his wife out of the correctional facility where she is being held.
Increasingly obsessed with the idea, he plots out his strategy on his bedroom wall, collecting maps, photos, time schedules, delivery truck routes and Internet videos on stealing cars and making bump keys. He also drives to the seedier side of town where he sells prescription drugs on the street to make some quick cash. While there, he also searches for a criminal element that can forge passports and other vital documents he’ll need for a quick trip out of the country with his wife and child.
Directed by Paul Haggis, the film’s tension builds at an escalating pace as the awkward academic seemingly bumbles his way through his early preparations. He is nearly caught while trying to test a homemade elevator key during a prisoner visit. Too eager to acquire fake papers, he is beaten and left bleeding on a dark side street after two thugs lure him into a trap and steal his money. Still filmmakers take no shortcuts to ensure audiences are on side with the petite blonde inmate whose innocence is questioned. They also give ample reasons to explain John’s vigilantism. But it becomes increasingly difficult to excuse his actions when he turns to crime as a way to secure his wife’s freedom and leaves a trail of fatalities in his wake. His recklessness also forces his parents (Brian Dennehy, Helen Carey) and sibling (Michael Buie) into compromising situations even though he is fighting to correct an injustice in the justice system.
Playing a cat and mouse game with detectives who are closing in on the escapees, the film does a fair job of holding the audience’s attention to the final climatic moments. However, the movie is not quite as convincing at making the audience cheer for a man who knowingly steps outside the boundaries of society to secure his own desires.