Picture from Blue Jasmine
Overall B-

After losing her marriage and all of her money, social climber Jasmine (Cate Blanchette) is forced to moving in with her sister (Sally Hawkins) and slum it in San Francisco.

Violence B-
Sexual Content B-
Profanity D
Substance Use C-

Blue Jasmine

It's a train wreck you see coming a mile away

Watching Woody Allen’s Blue Jasmine is like being on the sidelines waiting for an inevitable train wreck. When the implosion finally occurs, Allen cuts to black, leaving the audience in the dark as to what ultimately happens to the protagonist Jasmine Francis (Cate Blanchett).

Used to the finest things in life, this beautiful wife of a wealthy businessman (Alec Baldwin) finds her life spiraling out of control when he admits to a string of infidelities and fraudulent investments that results in the couple losing everything. With nowhere to go, Jasmine lands on the doorstep of her younger sister Ginger (Sally Hawkins).

Ginger is everything Jasmine is not. A short, dark-haired single mom with two boys, she works bagging groceries at the local supermarket. He ex-husband Augie (Andrew Dice Clay) can’t move past the fact that his former brother-in-law squandered his lottery winnings on some shady deal. But Ginger has moved on. Despite her humble surroundings (which are still pretty good for a grocery clerk), she has no hard feelings toward her tall, blonde, impeccably dressed older sister even though Jasmine can’t find one nice thing to say about Ginger’s new love interest Chili (Bobby Cannavale). In fact, Jasmine repeatedly tells Ginger she is too good for the grease monkey with a hot-temper.

Set to a typical Woody Allen musical score, Blue Jasmine feels like a modern take on A Street Car Named Desire, Tennessee Williams’ famous stage play (that was also adapted into a classic movie) about another dysfunctional character. Like Blanche in that script, Jasmine seems hell-bent on self-destruction. Popping Xanex pills like candy and never getting too far away from a good stiff drink, she teeters on the edge of sanity for most of the movie.

Only when she catches the attention of a handsome, ambitious man (Peter Sarsgaad) does she try to improve her odds of snagging him with a litany of lies about her past—falsehoods that the audience knows she will never be able to maintain.

It’s almost as if you can hear the engine straining to stay on the tracks as this vulnerable, privileged woman seeks to regain the kind of financial advantage she seems to think she is due. However constant alcohol consumption, frequent profanities (including two sexual expletives), smoking and illegal drug references push this film beyond the parameters of most family viewing.

And despite the film’s meticulous editing and strong performances—especially from Cate Blanchett—this voyeuristic look at one woman’s tragedy may leave even some adults feeling let down. After all, a person can only take so much pleasure in watching the painful ruination of a life.

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